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Thirteen myths and songs Structure: 0. Theme and style of the myth/ song

One myth

Eight recordings and songs Structure: 0. Theme and style of the song

One myth

Recordings at Katsiong (1-16), Seseli (17-20, 26-29) and Forofar (21-25), twenty-nine songs in the style of songs after the death of a man/woman, rite of passage ceremonies, flute songs, laments, children's songs, myths, jaw harp songs. Structure: 0. T

Recordings at Seseli (1-60) and Katsiong (61-68), sixty-eight songs in the style of bamboo flute songs, rite of passage ceremonies, laments, war songs, songs during the piercing of a nose, jaw harp songs, children's songs, songs after the death of a man/

Six myths (8-13)

Eight myths (1-8)

FIve songs (5-10)

Recordings at Gabmadzung, twentyone stories in the style of myths and stories of spirits (dzob mamafe), true stories (dzob nidzin) and of stories about people (garagab a dzob)Structure: 0. "Name/theme of the story" - Translated name/theme of the story

Sixteen songs, melodies and dances in the style of laments (med a dzon), songs and dances after a fight (med a tir, med a gom) and after the killing of a man (med maga) Structure: 0. "Name of the song" - Translated name/theme of the song - Style of the

Recordings at Gabmadzung, twenty stories of myths and stories of spirits (dzob mamafe) Structure: 0. "Name/theme of the story" - Translated name/theme of the story - Narrator - Language of origin [W]=Wampar and [P]=Tok Pisin