Share this item

Connect with PARADISEC

Contact this content partner to get more information about this item.

More about this audio at PARADISEC C6ED1FCD-CD72-4643-8B37-1933F1DA8BE3

Interview with Dokta Taule, Malay Town, Rabaul

Description:
Tape#1 : The Creation of Rabaul Indigenous Brass Band in late 1930s' Side A & B: Dokta Taule was born on 6th September 1928 and attended the Waterhouse Memorial School from 1937to 1939 where he tells the background and his knowledge of the creation of the Rabaul Indigenous Brass Band. The Brass Band was taught by David Crowley who had opposition and discouragements by the Australian colonial administrators who did not have confidence in the learning and skills ability of the indigenous people with discouraging response to the idea. Crowley took on the challenge to prove to them that the Brass Band with its members learning to play musical instruments as a skill is achievable. He proceeded to get the band together and began practicing the instruments for establishing the band which can develop towards entertainment and performances into the future. The members of the Band were selected students of Malaguna Technical, Malaguna Elementary, Nodup Waterhouse Memorial School. Dokta witnessed their practice sessions to eventual first ever Band performance marching through the streets of Rabaul Town after Crowley was satisfied of the competence of the Band. The display and entertainment provided on the streets became popular and event to expatriates all came out to the street to watch the Band march. As for the local and indigenous people, it was a great achievement of new music performance on learnt instruments as Dokta puts it, it felt like a "miracle" in action and unfolding. Other music history was with the first female choir conductor in Lila IaMatalau in Matupit. She had the skills of sowing uniforms for the choirs and other general patterns for laplaps, blouses for women and shirts for men. Dokta was also a choir conductor and was taught music by Ray Sheriden at Malaguna Technical School. He also worked for the Japanese during the war in their occupation of Rabaul and Gazelle Peninsula mainly digging tunnels at various locations and harvesting from the forests mainly in North Baining areas for timber. Other musical history of various Tolai people in brass bands and choral music were described by Dokta. (Steven Gagau, April 2019). Language as given: . You can access this item at the PARADISEC website. You will need to sign up or sign in first.
Format:
Sound
Collections:
PARADISEC Catalog
Contributors:
Michael Webb
Content partner:
PARADISEC
Availability:
Not specified
  • All rights reserved
    Copyright status: All rights reserved
    Find out more about what you are able to do with this item
    This item is all rights reserved, with means you'll have to get permission from PARADISEC before using it. For more information, please see our use and reuse page.
    More information
    PARADISEC has this to say about the rights status of this item:

    Open (subject to agreeing to PDSC access conditions)

    What can I do with this item?
    Non-infringing use
    Non-infringing use
    NZ copyright law does not prevent every use of a copyright work, and this item may be hosted by an international institute or organisation. You should consider what you can and cannot do with a copyright work.
    No sharing
    No sharing
    You may not copy and/or share this item with others without further permission. This includes posting it on your blog, using it in a presentation, or any other public use.
    No modifying
    No modifying
    You are not allowed to adapt or remix this item into any other works.
    No commercial use
    No commercial use
    You may not use this item commercially.
Remember or recognise anything about this item? Let us know!

We would love to share your stories, thoughts, and memories on digitalpasifik.org

Contribute your story
PARADISEC Catalog
PARADISEC
Welcome and warm Pasifik greetings

The information on this site has been gathered from our content partners.

The names, terms, and labels that we present on the site may contain images or voices of deceased persons and may also reflect the bias, norms, and perspective of the period of time in which they were created. We accept that these may not be appropriate today.

If you have any concerns or questions about an item, please contact us.