Share this item

Connect with PARADISEC

Contact this content partner to get more information about this item.

More about this audio at PARADISEC C6ED1FCD-CD72-4643-8B37-1933F1DA8BE3

Interview with Blasius ToUna, Nodup (Continued)

Description:
Tape#2: Music Background and Journey of Blasius ToUna (Continued) Side A&B: Blasius ToUna had some guidance, coaching and mentoring in music from Father Reichel, a musician who worked for the Catholic Mission supporting various Church Parishes around the villages and stations in the Gazelle Peninsula. Fr Reichel also support other Tolai people to become musicians. Blasius was brought up in the Catholic church and while attending Milmila Primary School, he came o know Fr Reichel who saw in him that he would have talents in music and painting. He was married in 1953 and in his later years, he continued to be in contact with Fr Reichel so he wrote songs both church "lotu" and guitar and would send for checking out. This process helped him to develop his musical skills so he began performing and recording his songs and later taught others and Catholic church goers his songs which were mostly his compositions. He was not prepared to copy songs and use their music to compose and perform. The catholic church songs were mainly for choir singing such as Holy Communion, Lent and his painting skills were displayed in churches such as the Holy Trinity, Mother Mary "Maria", the Angels and other catholic faith expressions. Blasius with village group he formed also competed in festivals such as Tolai Warwagira in the 1970s' and songs were recorded and broadcast by Radio Rabaul. Songs such as "Sigapu, Fopela leg, Kunai Dumdum" were popular songs recorded. Blasius was also exposed to Country/Western style music played on gramophone and also listened to over radio broadcast programs. Musicians and artists he was aware of were Slim Dusty, John Cash, Charlie Pride, Jimmy Rogers and his favourite was Jim Reeves on his Christmas carols and songs. Blasius is aware of other mixed race stringbands such as Kambiu Club and contemporary Tolai musicians in live power bands such as George Telek, Kanai Pineri and does not make any comparisons in the style of music played as it was up to individuals and bands to determine their music and not for him to have a say on how they play or perform their music. (Steven Gagau, May 2019). Language as given: . You can access this item at the PARADISEC website. You will need to sign up or sign in first.
Format:
Sound
Collections:
PARADISEC Catalog
Contributors:
Michael Webb
Content partner:
PARADISEC
Availability:
Not specified
  • All rights reserved
    Copyright status: All rights reserved
    Find out more about what you are able to do with this item
    This item is all rights reserved, with means you'll have to get permission from PARADISEC before using it. For more information, please see our use and reuse page.
    More information
    PARADISEC has this to say about the rights status of this item:

    Open (subject to agreeing to PDSC access conditions)

    What can I do with this item?
    Non-infringing use
    Non-infringing use
    NZ copyright law does not prevent every use of a copyright work, and this item may be hosted by an international institute or organisation. You should consider what you can and cannot do with a copyright work.
    No sharing
    No sharing
    You may not copy and/or share this item with others without further permission. This includes posting it on your blog, using it in a presentation, or any other public use.
    No modifying
    No modifying
    You are not allowed to adapt or remix this item into any other works.
    No commercial use
    No commercial use
    You may not use this item commercially.
Remember or recognise anything about this item? Let us know!

We would love to share your stories, thoughts, and memories on digitalpasifik.org

Contribute your story
PARADISEC Catalog
PARADISEC
Welcome and warm Pasifik greetings

The information on this site has been gathered from our content partners.

The names, terms, and labels that we present on the site may contain images or voices of deceased persons and may also reflect the bias, norms, and perspective of the period of time in which they were created. We accept that these may not be appropriate today.

If you have any concerns or questions about an item, please contact us.