Tandam kundambaŋ umbuyaplakay ‘Dancing upon the roots of wild yam’
- Description:
- This string figure represents two women dancing at the roots of a yam. The Awiakay say that it was a spirit woman who planted this yam, and now two women are dancing at its roots, so that it will grow faster. They also say that this string figure must be from elsewhere, as it was very rare that their ancestors would plant yam. Even when they did, it would be individual plants, never whole gardens. When the string figure-maker finishes the design, she/he starts moving the loops that represent women, saying that they are now dancing. They emphasise that they are ‘dancing on the spot’. In all-night dances, in which the Awiakay dance in a clockwise direction rounding the main house post or another post they stuck into the ground for the dance, the rounding regularly stops, and the dancers dance on the spot. This is when the swaying of their grass-skirts is observed by the bystanders. One’s dancing skills are largely judged by the movement of one’s grass-skirt, which is considered sexually appealing. This association, and her intimate experience of all-night song-dance cycles where people are making comments about the dancers, makes the teenage girl in the video giggle when she says: “Just look at these two woman, the way they dance at the roots of yam” (for more on aphrodisiacal properties of Awiakay all-night song/dance cycles see Hoenigman 2015: 203-204). The Awiakay also say that the part of the design which they call ‘two women dancing’ is interpreted as ‘two dogs’ in Asangamut. Images: 02: tandam kundambaŋ umboyaplakay ‘dancing upon the roots of wild yam’, final design 03: tandam wild yam Hoenigman, Darja. 2015. ‘The talk goes many ways’: Registers of language and modes of performance in Kanjimei, East Sepik Province, Papua New Guinea. Canberra: The Australian National University. (PhD thesis.) . Language as given: Awiakay. You can access this item at the PARADISEC website. You will need to sign up or sign in first.
- Format:
- MovingImage
- Collections:
- PARADISEC Catalog
- Contributors:
- Darja Hoenigman
- Content partner:
- PARADISEC
- Availability:
- Not specified
-
Copyright status: All rights reservedFind out more about what you are able to do with this itemThis item is all rights reserved, with means you'll have to get permission from PARADISEC before using it. For more information, please see our use and reuse page.More informationPARADISEC has this to say about the rights status of this item:
Open (subject to agreeing to PDSC access conditions)
What can I do with this item?Non-infringing useNZ copyright law does not prevent every use of a copyright work, and this item may be hosted by an international institute or organisation. You should consider what you can and cannot do with a copyright work.No sharingYou may not copy and/or share this item with others without further permission. This includes posting it on your blog, using it in a presentation, or any other public use.No modifyingYou are not allowed to adapt or remix this item into any other works.No commercial useYou may not use this item commercially.
Welcome and warm Pasifik greetings
The information on this site has been gathered from our content partners.
The names, terms, and labels that we present on the site may contain images or voices of deceased persons and may also reflect the bias, norms, and perspective of the period of time in which they were created. We accept that these may not be appropriate today.
If you have any concerns or questions about an item, please contact us.